Featured at InfoComm: 2026 See AOXING’s Fresnel ALR Screen in Action
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著者 - 9月 3, 2026
紹介
InfoComm 2026 gave us the right setting to show what a projection screen must do outside a dark room. From June 17–19 at the Las Vegas Convention Center, visitors at Booth C9909 saw our foldable Fresnel ALR screen under real exhibition lighting. The demonstration focused on contrast, color, image visibility, portability, and setup, giving integrators, distributors, and buyers a practical look at how an ambient light rejecting projector screen performs when room light cannot be fully controlled.
rAVe [PUBS] also included our ALR projector screen and foldable ALR projector screen in its InfoComm 2026 video coverage, giving buyers who could not attend another way to review what we presented.
Why Did the Fresnel ALR Screen Draw Attention at InfoComm 2026?
Bright rooms quickly reveal the limitations of a conventional white surface. Ceiling fixtures, windows, and room reflections can reduce black levels and make colors look flatter. An ambient light rejecting projector screen is designed to manage those conditions by controlling how light reaches the viewer.
Our Fresnel ALR screen uses Fresnel PET material with a multi-layer optical coating, an aluminum frame, a listed 1.8 gain, and a 170° viewing angle. Current sizes include 60, 80, 90, and 100 inches. Buyers are therefore selecting an optical component that must work with the projector, room geometry, viewing position, and ambient light pattern.
How Does the Fresnel Optical Structure Manage Ambient Light?
The optical structure is the main reason a Fresnel ALR screen behaves differently from a matte screen. Its Fresnel microstructure uses a precision prism array to control reflected light. Projector light is directed toward the viewing area, while part of the unwanted ambient light is reduced before it can wash across the image.
Our published specification lists up to 85% ambient light blocking. The surface also uses a neutral gray base and diffusion treatment to support balanced color while preserving 4K detail. Surface precision matters because an uneven or overly coarse material can soften fine image edges.
This is why an ambient light rejecting screen should be evaluated as an optical system rather than simply an ambient light screen. Projector position, incoming light angle, gain, and viewer position all affect the result.

What Makes the Foldable Design Practical Beyond the Show Floor?
A rigid screen may work well in a permanent room, but it is harder to transport or redeploy. Our portable design uses a lightweight aluminum structure, spliced top and bottom frame sections, and fixed side strips that tension the viewing surface.
The current configuration is designed for assembly in about ten minutes and can be handled by one person. That makes the ALR screen suitable for exhibitions, temporary training rooms, demonstrations, dealer showrooms, renter-friendly home cinema, and mobile presentations.
For distributors and AV professionals, this portability also changes how the product can be demonstrated. Instead of building a permanent display wall, the screen can be transported to customer demonstrations, trade events, temporary presentation spaces, or evaluation rooms where buyers want to see the optical performance before planning a larger installation.
How Does ALR Screen Daytime Viewing Change Real Spaces?
ALR screen daytime viewing is one of the main reasons buyers consider an ALR projector screen, but the term should not be misunderstood. Strong sunlight hitting the screen directly can still overpower projected light. The advantage is that the screen is engineered to reduce unwanted room light so the image retains more contrast and visible color than it would on a conventional diffuse surface.
In a living room, this can make films, sports, gaming, and streaming more practical without closing every curtain. In meeting rooms and showrooms, useful working light can remain on while content stays visible.
An ambient light rejecting projector screen therefore gives designers more flexibility. Instead of forcing every room to behave like a cinema, the screen helps projection adapt to spaces where people need both light and large-format content. This matters in modern AV projects because many users want large-screen viewing without turning an everyday room into a dedicated dark theater.
What Should Buyers Check Before Requesting a Quote?
A useful quotation starts with the room rather than the screen size alone. We need to understand projector type, throw geometry, viewing distance, window direction, ceiling-light position, target image size, installation method, and whether the screen will remain fixed or move between locations.
These details help determine whether a Fresnel ALR screen is suitable for the intended setup and prevent a common purchasing mistake: selecting an ALR screen only by gain or ambient-light claims while ignoring projector compatibility.
Screen size also needs to be considered together with viewing distance and available wall or floor space. A larger ambient light rejecting screen is not automatically the better choice if the room cannot support the required projector position or comfortable viewing distance.
For commercial projects, pricing can also depend on quantity, packaging, branding, labeling, size configuration, and OEM/ODM requirements. Our current service information includes a two-year warranty, a 24-hour initial response, technical support, replacement parts, and OEM/ODM assistance.
Clear project information at the quotation stage also makes sample evaluation more useful. When we know the projector model and actual lighting conditions, the sample discussion can focus on whether the proposed screen configuration fits the intended application rather than treating every ALR projector screen as interchangeable.

結論
InfoComm 2026 showed why foldable Fresnel technology has a practical place in modern projection. A well-designed ALR screen combines directional optics, controlled gain, stable tension, portability, and room-light management. When those elements are matched correctly with the projector and installation environment, an ambient light rejecting screen can bring large-format projection into spaces that would be difficult to use with a conventional white surface.
For us, the show was also a chance to hear direct questions from AV professionals and see which performance details matter most to buyers evaluating bright-room projection. The rAVe [PUBS] coverage added another useful industry reference, while the live demonstration showed why optical structure and real installation conditions should always be considered together.
CTA
Contact Aoxing with your projector model, room lighting, target screen size, application, and order quantity to discuss a Fresnel ALR screen configuration, sample evaluation, OEM/ODM options, and project quotation.
FAQ
Does an ALR screen really work in daylight?
Yes, but performance depends on light direction and intensity. An ALR screen can improve perceived contrast during daytime viewing, while direct sunlight on the screen should still be controlled where possible. ALR screen daytime viewing works best when strong light sources are positioned away from the viewing surface.
What is the difference between a Fresnel ALR screen and a regular projector screen?
A regular matte screen reflects light broadly. A Fresnel ALR screen uses directional optical micro-structures to manage projector light and reduce scattered ambient light, helping preserve contrast in brighter rooms.
Can one ALR projector screen work with every projector?
Not automatically. ALR performance depends on light-path geometry, so projector type, throw ratio, mounting position, and screen structure should be checked before purchase. Projector compatibility is especially important when selecting a directional Fresnel optical surface.
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